Following my passion for music and art as one.
Title: Through the Fog of Thoughts by a Creep
Oil on Canvas
Dimensions: W110cm x H90cm
Inspired by the Song: “Creep” by Radiohead
This painting delves into the silent, often invisible struggle of those living with social anxiety and ADHD. It speaks to the experience of being perpetually misunderstood—not because of ill intentions, but because the tools to connect in the “right” way, the socially acceptable way, feel just out of reach. From the outset, such individuals are often misjudged, labeled as awkward, strange, or even indifferent or perhaps negative, when in reality, their intentions are good—achingly good—but buried beneath the weight of overthinking and the inability to communicate in ways society understands.
The figure in the painting sits enveloped in thought, her posture heavy with unspoken emotion. Her eyes carry a mixture of yearning and exhaustion, reflecting the internal chaos of someone desperately trying to navigate a world that seems to have written them off before they even had a chance to be heard. Society often sees only the surface—a stilted reply, a misplaced gesture, a missed social cue—and labels them as "different," without ever considering how deeply these individuals long to connect.
The dynamic brushstrokes and the interplay of vibrant orange and subdued blues symbolize the duality of this experience. Orange conveys the warmth of their sincere intentions, the internal brightness they carry, while the blue embodies the isolation and cold misjudgment they face from the outside world. The chaotic textures reflect the constant battle of trying to process thoughts, emotions, and the weight of societal expectations all at once.
The presence of alcohol as a motif adds another layer to this story. For some, it becomes a fragile bridge—a way to quiet the mental noise and momentarily step into the world of others. It offers fleeting courage to speak, to connect, to show the kindness that remains hidden beneath layers of anxiety. Yet, even this reprieve is bittersweet, often misunderstood as indulgence or irresponsibility rather than a desperate attempt to belong.
The painting forces us to turn the mirror inward, inviting a moment of self-reflection. How often have we misjudged someone without considering their story? How often have we dismissed someone struggling with battles we cannot see? In urging us to reconsider these questions, the artwork becomes a call to empathy.
Title: S. Culture
Oil on Canvas
Dimensions: W118cm x H107cm
Inspired by the Song: "The End" by Earl Grant
Description:
"S. Culture" delves into themes of identity, self-expression, and the fleeting quest for validation in the digital age, inspired by Earl Grant’s soulful ballad "The End." At the heart of the painting is a woman striking the quintessential "social media snapshot" pose—confident yet detached, her expression emotionless, as though caught in the act of performing for an unseen audience. Her poised demeanor is juxtaposed with her gradual blending into the lush tropical foliage surrounding her. This interplay of presence and absence raises a poignant question: Does she truly love herself, or is she enamored with the idealized, curated version she has created for validation in a digital world?
The painting critiques the allure of curated perfection, contrasting it with the timeless authenticity of true love and connection. The vibrant, sunlit tropical backdrop—alive with greens and yellows—symbolizes life, vitality, and nature’s grandeur. Yet, it subtly overshadows the woman, serving as a visual metaphor for the transient nature of beauty and the enduring power of selflessness. Her blending into the background suggests how easily individuality can be consumed by the need to conform to a surface-focused culture.
Her expressionless face adds another layer to the narrative, embodying the emotional disconnection often seen in the pursuit of external validation. While her pose exudes confidence, her lack of visible emotion challenges viewers to look deeper, to question the meaning and intention behind this image. Is she at peace with herself, or has she become a product of her own performative identity?
During the creation of this work, I found myself reflecting on Earl Grant’s "The End" in a broader context. I was reminded of the song during a recent wedding I attended—not because it was played, I must add (yes, even artists leave their studios for cake and awkward dances, especially me :). "Music, The End," with its soulful melody and tender lyrics, struck me as the perfect, underrated wedding song—if only for its poignant undertones. The lyrics speak to the fragility of love and the bittersweet beauty of endings, themes that resonate deeply within this painting.
As with all my work, duality lies at the core of "S. Culture." It contrasts the fleeting allure of external validation with the enduring authenticity of deeper connections. The vibrant palette celebrates the energy and vibrancy of life, yet it also underscores the impermanence of what is merely surface-deep. The woman’s fading presence highlights the question of what remains when the filters are stripped away and the curated facade is no longer sustainable.
This piece continues my broader artistic journey, "S. Culture" is a visual meditation on what we choose to reveal, what we choose to conceal, and what ultimately endures when everything else fades into the backdrop.
Title; Fade Out, Your Line
Oil on Canvas
Dimensions: W108cm x H98cm
Description:
Inspired by "Fade Out Lines" (Francis Mercier Remix by The Avener), this painting reflects self-awareness and liberation, capturing a woman reclining in a children’s pool under the sun, cigarette in hand. Set against a stark grey fence, the vibrant yellows, blues, and fiery highlights of the arid backyard symbolize her choice to embrace life’s simplicity over societal expectations.
Her casual demeanor and detached expression echo the song’s lyrics, celebrating a break from rigid norms and the pursuit of authenticity. The scene’s simplicity and humor—using a pool as a spa, a cigarette as her moment of leisure—invite reflection on the joy found in imperfection and individuality.
The painting contrasts stark surroundings with vibrant tones, mirroring the duality of rebellion and contentment. Like the song, it challenges viewers to let go of what doesn’t matter, focus on fleeting pleasures, and embrace life’s quirks. Bold strokes and layered symbolism highlight the beauty of living unapologetically in the moment.
Title; Deals the Cards as a Meditation
Oil on Canvas
Dimensions: W80cm x H106cm
Description:
Inspired by "Shape of My Heart" by Dominic Miller and Sting, this painting channels the song’s rhythm, introspection, and mystery. Created in sync with the music’s flow, the spontaneous brushstrokes and dynamic colors mirror the song’s themes of fate, self-discovery, and meditative reflection. Each stroke, like a card dealt, becomes a deliberate yet instinctive act, embodying life’s unpredictability.
The central figure tilts their head skyward, a gesture of surrender or contemplation, surrounded by vivid yellows, blues, and greens that suggest clarity and connection. The rough, expressive brushwork captures the raw complexity of human emotion, echoing the song’s narrative of searching for meaning beyond the surface.
Much like the card player in the lyrics, the painting reflects an embrace of the unknown and the beauty of the process itself. It invites viewers to pause, reflect, and find harmony in life’s chaos, celebrating the timeless message that life is a layered mystery unfolding between chaos and calm.
Title; MEIKO KAJI AKA LADY SNOWBLOOD
Oil on Canvas
Dimensions: W110cm x H90cm
Inspired by the Song: "Shura no Hana" by Meiko Kaji
Description:
This evocative painting pays homage to Lady Snowblood a 1973 Japanese jidaigeki film directed by Toshiya Fujita and starring Meiko Kaji, whose haunting performance was paired with her equally mesmerising song "Shura no Hana" (“Flower of Carnage”). A masterful fusion of revenge, tragedy, and poetic justice, Lady Snowblood tells the story of Yuki Kashima—a woman born into a world of pain and vengeance. Lady Snowblood was released theatrically in Japan on 1 December 1973, and was distributed by Toho. It spawned a sequel, Love Song of Vengeance (1974).
Depicted in dual perspectives, Yuki embodies serenity and action—tranquil in traditional white, symbolizing purity and death, and dynamic in motion, reflecting the conflict between her relentless quest for justice and the burden it brings. Splashes of red across the canvas evoke the violence shaping her destiny, while vibrant yellows and greens hint at fleeting hope in a life dominated by loss.
Drawing from the cultural legacy of Lady Snowblood, this work also nods to its influence on Quentin Tarantino’s Kill Bill. Both Yuki and The Bride share stories of betrayal, resilience, and retribution. The painting bridges these narratives, celebrating Japanese storytelling’s impact on global cinema.
Through bold colors, visceral brushstrokes, and layered symbolism, Meiko Kaji aka Lady Snowblood becomes a tribute to vengeance, resilience, and the timeless power of artistry to transcend cultures and generations.
Title; Ever Wonder If It’s All for You
Oil on Canvas
Dimensions: W110cm x H90cm
Description:
"Ever Wonder If It’s All for You" captures a fleeting moment of introspection and quiet rebellion, inspired by the Red Hot Chili Peppers' "Can’t Stop." A figure exhales smoke into a vibrant night, embodying the universal question posed by the song: “Ever wonder if it’s all for you?” Her relaxed posture and contemplative gaze reflect a pause from life’s demands, embracing the beauty of simply existing.
The painting’s swirling tones—fiery oranges against cool blues—mirror the song’s duality of intensity and calm, chaos and peace. The cigarette becomes a symbol of release and escape, resonating with the song’s themes of compulsion and addiction: “Can’t stop addicted to the shindig.” The figure’s upward gaze suggests surrender and contemplation, balancing rebellion with quiet defiance.
At its core, this work reflects the human struggle to find clarity in life’s contradictions. Inspired by the song’s raw energy, it invites viewers to pause, reflect, and embrace fleeting moments of peace and self-awareness amid the chaos of modern life.
Title; Always Chasing Rainbows
Oil on Canvas
Dimensions: W110cm x H90cm
Description:
"Always Chasing Rainbows" is a vibrant yet poignant painting inspired by Perry Como’s "I'm Always Chasing Rainbows." It depicts a young girl on a sunlit street corner, her radiant smile and carefree laughter exuding warmth and energy. Bold yellows and vivid reds create an aura of joy, but closer inspection reveals a more sobering reality, reflecting the song’s bittersweet exploration of hope and despair.
The girl’s fragile posture and bony frame hint at unseen struggles beneath her exuberance. Her glowing smile, while captivating, feels like a fleeting mask, perhaps concealing inner pain or yearning. Cooler tones woven into the composition balance the vibrant palette, symbolizing the tension between outward joy and hidden sorrow. The interplay of light and shadow mirrors the song’s lyrics: “I’m always chasing rainbows, watching clouds drifting by.”
The painting explores the universal longing for happiness and the fleeting nature of relief. Subtle hints of substance use amplify the theme of escape, where moments of euphoria feel transient and hollow. This juxtaposition of light and darkness invites viewers to question the authenticity of the girl’s joy, capturing life’s paradoxes where beauty and pain coexist.
Through its dynamic brushstrokes and layered symbolism, Always Chasing Rainbows reminds us of the hidden depths behind appearances and the enduring human pursuit of meaning in a world where joy and sorrow are inseparable.
Title; Bad Company
Oil on Canvas, W: 110cm, H: 90cm
Description:
"Bad Company" is a vibrant, soulful celebration of rhythm, energy, and human connection, inspired by the infectious sounds of Purple Disco by the band Bad Company. This expressive painting captures the unbridled joy of two dynamic women immersed in movement, their laughter and energy radiating from the canvas. It is more than just a scene of celebration—it is an homage to the timeless power of music to bring people together, transcending eras and generations to unite past, present, and future in a shared rhythm.
The composition’s fiery palette—reds, oranges, and deep purples—echoes the warmth and intensity of disco and funk music. These colors, paired with textured brushstrokes, create a pulsating energy that draws viewers into the heart of the moment. The contrast between shadow and light mirrors the depth of music’s influence, where the beats carry both joy and a deeper resonance that binds people together across time.
The two women at the center of the painting embody music’s ability to connect people on a visceral level. Their laughter is infectious, their movements fluid and uninhibited, reflecting the sheer liberation that comes from surrendering to rhythm. In their joyous expressions, one sees the power of music as a universal language, a bridge that spans differences and creates shared moments of elation.
Disco, funk, and dance music have always been about more than entertainment—they are about community, self-expression, and the freedom to embrace the moment. "Bad Company" channels this ethos, paying homage to music’s role as a timeless unifier. The figures in the painting feel at once contemporary and reminiscent of past eras, a nod to how music evolves yet retains its core essence of connection. From the golden age of disco to the beats of the present and into the rhythms of the future, music continues to be a force that transcends boundaries and brings people together.
